Course Catalog

Courses A-Z

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Interdisciplinary / British Studies

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The Anatomy of Contemporary Britain (3 credits)

An interdisciplinary “landing” course designed to help students interpret Britain’s contemporary life and culture in context. It focuses on the cultural and attitudinal differences that can be hidden by a shared English language, and trains students to observe, compare, and explain “why things are the way they are” through topics explored both in class and on-site. A core premise is that “different” is not a value judgment – the work is to identify the roots of difference and reflect more thoughtfully on both Britain and one’s own home culture.

Performing Arts

Three people dressed in royal costumes in a lavish room. The person in the middle, dressed in a green and black dress, is smiling and holding her chin with her hands. The person on the left, wearing a blue dress and a tiara, is sitting and looking up at her. The person on the right, in a silver jacket and a crown, is sitting at the table, touching the middle person's arm with his hand, smiling and looking at her.

Shakespeare in Practice (3 credits)

Offered in partnership with the Royal Shakespeare Company (RSC), this course begins with Shakespeare’s historical and performance context, linking authorship, theatre conditions, and audience expectations to interpretive choices today. Students learn a repeatable process for first encounters with speeches and scenes: translating into their own words, applying core Stanislavski questions (where/when/who/why), and defining objectives and micro-objectives. Work then deepens into “actioning” beats with active verbs, using antithesis for clarity, developing voice and use of space, and building characters and worlds that keep the text vivid, authentic, and visceral.

Architecture & Preservation

Wroxton Abbey, a large historic Jacobean manor with multiple towers and windows, surrounded by green grass and trees, under a partly cloudy sky.

The Development of Architecture & Design in Britain (3 credits)

A survey of British architecture and design from early Anglo-Saxon and Norman stone structures through major stylistic and cultural shifts including Gothic, Baroque, Neoclassical, and Modernist design. The course emphasizes how European influences, the Industrial Revolution, and the Arts & Crafts movement shaped the built environment, from Victorian terrace housing to later 20th-century Brutalism and its concrete-focused aesthetics. Students connect design forms to the economic, social, and technological forces that produced them.

Three young people sitting on steps in front of large, weathered columns at a historic building. One of them is a girl with dark hair and a white shirt, another is a girl with long braided hair and a dark green hoodie, and the third is a boy with a dark cap and green T-shirt that reads 'Wroxton College.' A black cat is lying on the ground in front of them.

Historic Preservation & Building Conservation in Britain (3 credits)

An introduction to Britain’s preservation system as a regulated, institution-led framework under bodies such as Historic England and English Heritage. Students examine how legislation (including the Planning (Listed Buildings and Conservation Areas) Act 1990 and the Ancient Monuments and Archaeological Areas Act 1979) shapes what can be altered, protected, or repurposed. The course highlights conservation standards and practice: repair-first approaches, sustaining traditional crafts, and ensuring modifications are reversible and sustainable where possible.

Art History / Visual Culture

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The Development of British Painting (3 credits)

A historical introduction to British painting and allied arts from the early modern period (c. 1485) to the present, set against key European developments and cross-channel influence. Lectures and tutorials trace changes in style and technique, shifts in subject matter, and the evolving relationship between patrons and artists. Supervised visits to national collections anchor the academic work in direct engagement with major works.

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Shadow & Light: A History of British Photography (3 credits)

A history of British photography through the lens of technique as “visual language,” asking how the medium’s technical limits at a given time shape meaning. Students analyze choices of lens, lighting, focus, cropping, shapes/patterns, lines, and tonal range as tools for conveying feeling and viewpoint. Coverage spans photojournalism, portraiture, advertising, abstraction, landscape, and fashion, with visits to institutions such as the National Portrait Gallery, the Photographer’s Gallery, and the Royal Photographic Society to study original prints.

Natural Sciences

Night view of a large historical building, Wroxton Abbey, illuminated from within, with lit windows and exterior lights. The sky is dark with visible stars.

Astronomy (3 or 4 credits)

A full-spectrum survey of the universe, moving from the origin and structure of the solar system to the properties, origins, and evolution of stars, galaxies, and cosmology. The course is designed to give students a coherent “big picture” framework – from planetary formation through large-scale structure – and to connect observational evidence to core scientific explanations.

A rural scene with a stone church, green grassy fields, two sheep, and a dark cloudy sky at sunset.

Sustainability (3 credits)

An interdisciplinary course addressing global sustainability through multiple lenses (geology, geography, environmentalism, economics, political science, psychology, geopolitics). Students explore how interconnected systems create both visible and less obvious dependencies, then apply the framework to solutions and the obstacles that block progress. British and European perspectives are incorporated throughout.

Business / Economics

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Fundamentals of International Business (3 credits)

Introduces the environmental and managerial realities of operating across borders. Students explore how international competition, technology diffusion, and differing business contexts shape strategy and decision-making. The course emphasizes practical awareness of complexity – how firms adapt when markets, rules, and competitive dynamics change internationally. Case discussions and examples emphasize UK and European business contexts, including regulatory and cultural differences relevant to operating in and from Britain.

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International Investment (3 credits)

A broad survey of global investment opportunities across money markets, equities, sovereign bonds, currencies, commodities, and digital assets (cryptocurrency). Students study timing and selectivity considerations, techniques for investment analysis, and approaches to forecasting interest-rate and exchange-rate movements. Coverage includes UK and European market structures and institutions (including London’s role in global finance), and how currency and policy dynamics affect international investors. The course also introduces futures trading and the functioning of major international capital markets and stock exchanges.

Various UK coins, including two-pound coins with gold and silver color, and smaller silver coins, scattered on a light-colored surface.

Money & Banking (3 credits)

Covers monetary theory and the principles of banking, with a focus on how central banks, commercial banks, and other financial institutions operate. Students examine monetary and fiscal policy tools, the regulation of financial institutions, and the expanding role of digital currency (cryptocurrency) in modern finance. Students compare UK and US monetary and banking institutions, with attention to the Bank of England’s framework and the UK’s financial-regulatory environment. The aim is to link institutional mechanics to real-world outcomes like stability, credit conditions, and economic performance.

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Economic Policy Making in Britain (3 credits)

Explores how economic policy is made in the UK, centered on the division between fiscal policy (HM Treasury) and monetary policy (Bank of England), and the shared objectives of inflation control, growth, and stability. The course highlights the Chancellor of the Exchequer’s pivotal role and examines how political priorities, market pressures, and structural reform agendas shape policy choices. Contemporary emphasis includes long-term growth initiatives, planning reforms, and industrial strategy.

European Economic Integration (3 credits)

Examines Europe’s post-1945 growth and development through the lens of regionalism and integration. Students focus on how institutions, policies, and political processes evolved to create today’s integrated European economic landscape. Emphasis is on the milestones and tradeoffs of integration over time.

Fanned out various denominations of Euro banknotes on a wooden surface.
Aerial view of a city skyline at sunset, including tall modern skyscrapers with glass facades, and the River Thames winding through the city.

The Contemporary British Economy (3 credits)

A topical course organized around major areas of national economic debate: monetary and fiscal systems, state ownership and regulation, production and distribution networks, investment, employment and labour markets, trade, and the international dimension. Students connect institutional design to real economic outcomes and policy tensions facing Britain today.

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The Political Economy of the European Union (3 credits)

Analyzes how the EU governs an integrated single market while balancing different national capitalist models and competing economic priorities. Students examine how market-expanding policies interact with social objectives, and how multi-level institutions (Commission, Council, Parliament) navigate national interests, lobbying pressures, and crisis response. The European Court of Justice is treated as a central constraint and driver in the system’s evolution.

Two women seated at a large wooden table in a library with shelves of books behind them. One woman is wearing a gray hoodie, the other a black bandana, both working on laptops. A book and a pink water bottle are on the table. Large windows with curtains let in natural light.

The European Business Environment (3 credits)

Introduces Europe as a complex, highly integrated business environment shaped by the EU’s Single Market, customs union, and shared regulatory frameworks. Students look at how diverse national economies and cultural contexts operate within common competition policies and regional development priorities. The course also emphasizes contemporary drivers such as sustainability, digitalization, innovation, and the institutional effects of the single currency.

A rural landscape during cloudy weather, featuring an old stone church, green fields with sheep, trees, power lines, and an overcast sky with a hint of sunlight.

Sustainability (3 credits)

An interdisciplinary course addressing global sustainability through multiple lenses (geology, geography, environmentalism, economics, political science, psychology, geopolitics). Students explore how interconnected systems create both visible and less obvious dependencies, then apply the framework to solutions and the obstacles that block progress. British and European perspectives are incorporated throughout.

Communications / Media

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Culture & Media in Britain (3 credits)

Investigates the evolving relationship between British culture and the public and commercial media, past and present. Students gain conceptual tools to analyze how historical, political, economic, and cultural forces shape media institutions and the narratives they produce. The course is designed to be practically oriented, applying theory to real examples and current media dynamics.

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International Communications (3 credits)

Provides a framework for understanding cross-border interaction and communication, with particular attention to how the internet, media, and emerging technologies shape perspectives across countries. Examples and discussion regularly draw on UK and European media ecosystems and current debates about speech, regulation, and platform governance. Students develop strategies for increasing cultural understanding and reducing conflict in intercultural settings, linking communication choices to real-world outcomes.

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Social Media, Communications & Community (3 credits)

Examines virtual communities and online social networks from multiple theoretical perspectives. Students assess social media’s effects on communication within groups, organizations, and society, and learn the concept and practice of social network analysis as a way to measure communication flows. Students apply concepts to British and European cases, including differences in legal/regulatory approaches to privacy and online harms. Active participation in multiple social media forms is paired with critical analysis of implications for community, influence, and behavior.

Education

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Education in Contemporary Britain (3 credits)

Traces the history and development of education in England and Wales while introducing foundational educational philosophy. Students then examine recent reforms, innovations, and debates, putting current issues “under the microscope” to understand how schooling reflects broader social priorities and tensions.

English Literature

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Shakespeare’s Blueprint – From Page to Stage (3 credits)

Explores how Shakespeare’s plays are translated from text into performance, with a strong emphasis on contemporary staging choices. Students engage directly with productions, especially those mounted by the Royal Shakespeare Company in Stratford-upon-Avon and London, and also consider work at the Globe, the National Theatre, and other venues. The course treats performance as interpretation – how staging, acting, design, and directing build meaning.

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Shakespeare – Not of an Age But for All Time (3 credits)

Focuses on why Shakespeare continues to speak to modern audiences, using contemporary productions as a primary reference point. Students examine interpretive decisions in recent stagings (RSC and others) to understand how themes, character, and language connect to current cultural concerns.

A group of about fifteen young people standing outside the Delmont Mackintosh Theatre, smiling and looking at the camera, with posters of theatrical performances and a colorful illustrated portrait of a woman in the background.

Shakespeare – The Play’s the Thing (3 credits)

Examines the relationship between text and performance, treating the play as a blueprint that must be realized through choices on stage. Students analyze productions in the RSC season (and comparable companies) to see how performance clarifies, reshapes, or challenges what is on the page.

The photograph shows a ticket for a production of "Romeo and Juliet" by the Birmingham Royal Ballet, scheduled for Wednesday, February 24, 2016, at 7:30 PM.

Shakespeare – To Hold the Mirror Up to Nature (3 credits)

Looks at how actors, directors, and designers work on Shakespeare’s texts, with particular attention to RSC productions. Students explore the range of plausible interpretations and extend the analysis to film and television versions of the plays to compare how medium changes meaning and impact.

A newspaper or program titled 'The Sisterhood' from the Belgrade Theatre, dated February 9, 2016.

16th & 17th Century Playwrights (3 credits)

Studies the continuing relevance of early modern drama beyond Shakespeare, emphasizing how these plays “reach out to us today.” Students connect text to contemporary staging practices, with particular reference to productions at the RSC’s Swan Theatre in Stratford-upon-Avon.

White sign with the text "Jane Austen's House" hanging on an ornate metal frame in front of a brick house with a white window, green trees, and a partly cloudy sky.

18th Century Literature (3 credits)

Builds a rich picture of 18th-century life through novels, poetry, and shorter fiction, highlighting satire, philosophical debate, and sentiment. Core authors include Pope, Swift, Defoe, Johnson, and Austen, with attention to how literary form engages public life and social change.

Bookshelf with vintage books, a white bust of a man with a beard, and a green book titled 'Christmas Books' by Dickens.

Three 19th Century Writers (3 credits)

Helps students navigate the scale of 19th-century literature by concentrating on three writers across key traditions. Readings include one Romantic-era poet (such as Tennyson, Browning, or Hopkins), work by a Brontë sister, and major fiction by authors such as Dickens, George Eliot, or Thomas Hardy. The emphasis is on close reading, argumentation, and developing genuine enthusiasm for the period.

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Literature & Society in Victorian England (3 credits)

Centers on literary responses to industrialization and social crisis in an era marked by both expansion and poverty. Students study contemporary documents (including working men’s diaries) alongside writers like J.S. Mill, Carlyle, and William Morris, and major novelists such as Charlotte Brontë, George Eliot, Elizabeth Gaskell, Dickens, and Hardy. The course connects textual analysis to lived social conditions and reform debates.

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20th & 21st Century Drama (3 credits)

Analyzes how cultural, social, and political shifts are reflected in modern dramatic literature’s style and content. Close textual work is paired with close critical study of plays in performance, focusing on how theatre’s social awareness evolves over time.

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Modern Novels on the Screen (3 credits)

Assesses film and television adaptations as works in their own media, while also returning to the original texts for critical comparison. Students examine what is gained or lost when narrative, interiority, and style are translated to screen, using major novels by writers such as E.M. Forster, D.H. Lawrence, Evelyn Waugh, and Graham Greene.

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Poetry of the 1930s (3 credits)

Places 1930s poetry in its political and social context, including anti-fascist commitments and the Spanish Civil War. Students study how form, language, and conscience interact in a decade shaped by crisis and ideological urgency.

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Radio Drama (3 credits)

Focuses on drama written specifically for radio rather than adaptations, examining the form’s unique constraints and possibilities. Students read and analyze works by writers such as John Arden, Samuel Beckett, Dylan Thomas, Harold Pinter, Susan Hill, David Rudkin, and Shirley Gee, pairing close textual analysis with attention to sound, voice, and audience imagination.

A group of women sitting around a large wooden table in a room decorated with various framed pictures and posters on the walls. A window with green curtains and a view of an outside brick building is in the background. The women appear to be attending a meeting or discussion, with notebooks and a coffee cup on the table.

Women & Women Writers in British Literature (3 credits)

Surveys historical and contemporary discussions of women in British literature through female writers in prose, poetry, and theatre. The first half emphasizes historical texts (including Jane Austen, Christina Rossetti, and Aphra Behn), and the second half compares these foundations to modern women writers, highlighting continuity and change in voice, agency, and representation.

Government and Politics

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British Government & Politics (3 credits)

A broad introduction to the origins, development, structure, and real-world workings of Britain’s political system. Students study how institutions and political forces interact, building a usable map of how government functions in practice as well as in theory.

Close-up photograph of a building corner with ornate stone carvings, a street sign reading 'Downing Street SW1 City of Westminster,' and a decorative black wrought-iron balcony railing.

The Power & Personality of British Prime Ministers (3 credits)

Traces the evolution of the Prime Minister’s role from Walpole to the present, with particular emphasis on 20th- and 21st-century leaders. Students examine the formal and informal powers of the office and assess how individual personality can expand or constrain those powers in real governing circumstances.

Sunset over the Houses of Parliament and Big Ben in London, England, with a body of water in the foreground.

The Influence of Parliament (3 credits)

Asks what Parliament’s scrutiny role should be and what it actually is, including how influence over executive decisions has changed over time. Students evaluate the practical mechanisms of oversight and the shifting balance between Parliament and the executive branch.

Euro banknotes of various denominations, including 10 and 20 euros, arranged in a fan on a wooden surface.

European Economic Integration (3 credits)

Examines Europe’s post-1945 growth and development through the lens of regionalism and integration. Students focus on how institutions, policies, and political processes evolved to create today’s integrated European economic landscape. Emphasis is on the milestones and tradeoffs of integration over time.

A historic building with classical architecture featuring columns and ornate details, topped with a flagpole flying the European Union flag against a dark blue evening sky.

The Political Economy of the European Union (3 credits)

Analyzes how the EU governs an integrated single market while balancing different national capitalist models and competing economic priorities. Students examine how market-expanding policies interact with social objectives, and how multi-level institutions (Commission, Council, Parliament) navigate national interests, lobbying pressures, and crisis response. The European Court of Justice is treated as a central constraint and driver in the system’s evolution.

A street scene with a red double-decker bus, a crowd of people, and a display of Union Jack and European Union flags in front of historic buildings.

The Politics of Britain & Europe (3 credits)

Studies Britain’s historically “arms-length” relationship with continental Europe, including the fact that it joined the European Community late (1973) and was often seen as a reluctant European thereafter. The course then treats Brexit (June 2016) as a culmination point and explores the political implications and ramifications of that relationship over time.

A rural landscape with a stone church, green grassy field with two sheep, surrounded by trees and hills under a cloudy sky at sunset.

Sustainability (3 credits)

An interdisciplinary course addressing global sustainability through multiple lenses (geology, geography, environmentalism, economics, political science, psychology, geopolitics). Students explore how interconnected systems create both visible and less obvious dependencies, then apply the framework to solutions and the obstacles that block progress. British and European perspectives are incorporated throughout.

History

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Descent from Power: British Foreign Policy Since 1900 (3 credits)

Examines Britain’s foreign policy process as the country moved from perceived “Great Power” status to accepted “Middle Power” status. Students analyze how domestic politics and changing international environments shaped choices across the 20th and 21st centuries.

A busy street scene with a red double-decker bus, a crowd of people, and numerous Brexit flags in front of historic brick and stone buildings in London.

The Politics of Britain & Europe (3 credits)

Studies Britain’s historically “arms-length” relationship with continental Europe, including the fact that it joined the European Community late (1973) and was often seen as a reluctant European thereafter. The course then treats Brexit (June 2016) as a culmination point and explores the political implications and ramifications of that relationship over time.

A mascot dressed as a white tiger with blue eyes, whiskers, and a red and green uniform, at a sports stadium with players and spectators in the background.

Britain in the Modern Era (3 credits)

A history of Britain in the 19th and first half of the 20th centuries, focused on the political, social, economic, and cultural developments that shaped contemporary Britain. Students connect major historical transitions to the institutions and identities that persist today.

Close-up of a colorful world map showing Europe and parts of Africa.

Europe in the 20th & 21st Centuries (3 credits)

Surveys Europe’s modern history through political, military, social, economic, and cultural developments that collectively produced today’s Europe. The course emphasizes cumulative change, showing how major events and structural shifts reverberate into current realities.

A brick building with four windows and two flags, the American flag and a Union Jack flag, flying on poles in the center of the building.

Anglo-American Relations (3 credits)

Traces Anglo-American relations from the American Revolution through the World Wars, 1920s economic competition, Suez, the Falklands, 9/11, and the period that followed, up to the present day. The course evaluates the idea of a “special relationship” by examining when strategic interests converge, when they diverge, and why.

Sociology and Society

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The Anatomy of Contemporary Britain (3 credits)

An interdisciplinary “landing” course designed to help students interpret Britain’s contemporary life and culture in context. It focuses on the cultural and attitudinal differences that can be hidden by a shared English language, and trains students to observe, compare, and explain “why things are the way they are” through topics explored both in class and on-site. A core premise is that “different” is not a value judgment – the work is to identify the roots of difference and reflect more thoughtfully on both Britain and one’s own home culture.

A crowd of diverse people gathered outdoors under trees with green leaves, facing a building with a brick facade, some wearing jackets, one person with a Union Jack flag on their clothing, and a flagpole with a Union Jack flag in the background.

Social Policy in Contemporary Britain (3 credits)

Examines the causes and scale of major social challenges in Britain – poverty, unemployment, crime, ill health, inadequate housing, and poor schooling – and evaluates governmental and other policy responses intended to improve society. Students connect diagnosis to policy design, outcomes, and tradeoffs.

A black and white photo of a group of children and two women riding in a parade with buildings in the background.

Women & Race in Modern Britain (3 credits)

An examination of the lived circumstances of women and ethnic minorities in contemporary Britain, with attention to the extent and forms of sexual and racial discrimination. The course also studies practical and political strategies that have been used to remove or overcome discrimination, and the debates and barriers those strategies encounter.

A rural landscape with green grass, two sheep grazing, a stone church, trees, utility poles, and dark cloudy sky at sunset.

Sustainability (3 credits)

An interdisciplinary course addressing global sustainability through multiple lenses (geology, geography, environmentalism, economics, political science, psychology, geopolitics). Students explore how interconnected systems create both visible and less obvious dependencies, then apply the framework to solutions and the obstacles that block progress. British and European perspectives are incorporated throughout.

Independent Study

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Wroxton’s tutorial-style environment supports supervised independent study within faculty expertise, subject to advance approval by the Dean and the student’s home academic adviser. Recent topics have ranged from Business Ethics and Social Policy in Britain to Education in Britain, WWI, the British Judicial System, Watercolour Painting, and Poetry.

A quaint cobblestone street lined with storefronts and hanging flower baskets, with signs for cafes and shops, and Union Jack bunting strung across.

Integrated Internship Program

(course study + internship)

A structured option combining directed coursework with internships in areas such as business/event organization, business & hospitality (food and beverage), art and gallery organization, historic preservation/building conservation, library/archivist studies, and education (school teaching).